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Through the years, one of Polanski’s most vocal defenders, to the extent that Polanski has needed defenders at all, has been Harvey Weinstein. In 2009, the producer helped to circulate a petition among the Hollywood powerful demanding that Polanski be freed after he was arrested in Switzerland. (Polanski had come to Zurich to accept a lifetime achievement award at the city’s film festival.) As one element of the aggressive publicity campaign Weinstein mounted on Polanski’s behalf—Weinstein has been very skilled at waging publicity campaigns—the producer wrote an opinion piece for the U.K.’s Independent newspaper. The column mentioned not just Weinstein himself, but also Thierry Frémaux, the director of the Cannes Film Festival, Quentin Tarantino, Warren Beatty, Arnold Schwarzenegger, Robert Evans, and the then-French president Nicolas Sarkozy—famous name after famous name, all dropped in service to the thesis that Polanski, whatever had “happened in 1977,” is “a man who cares deeply about his art and its place in this world.”
What Weinstein was doing, essentially, was constructing a more nuanced version of Donald Trump’s pronouncement to Billy Bush: He was making a case for Hollywood exceptionalism. He was summoning the idea that celebrity, in America, functions as a secular religion, with good and evil, with gods and monsters, with humans that, through the alchemy of fame, turn into stars. Celebrities are with us, but more to the point they are above us. They transcend our earthbound assumptions. They are soaring; we are small. How can the things that sparkle in the firmament be held to account for humans’ fleshy flaws? [emphasis added]
It is a logic that is infused not just in the transactions of Hollywood, but also in the world of American sports. And the world of American tech. And the world of American politics. And the world of American science. And the world of American academia. The famous are famous, the idea goes—the powerful are powerful—the stars shine above us—because they are, somehow, touched: with talent, with genius, with the capacity to make the things that, in turn, make the world richer and better. “Hollywood has the best moral compass, because it has compassion,” Harvey Weinstein told the Los Angeles Times in 2009, defending a man who had pled guilty to raping a 13-year-old. Debra Winger agreed: “The whole art world suffers” when someone like Polanski is arrested, she said. When Jeffrey Toobin wrote of Polanski’s legal troubles for The New Yorker, in December of 2009, his piece was headlined “The Celebrity Defense.” When the “free Polanski” petition circulated that same year, more than 100 of Hollywood’s most prominent people—including David Lynch, Michael Mann, Mike Nichols, and Woody Allen—signed it.
American evangelicalism has its prosperity theology; but American celebrity, too, has knelt before an altar of exceptionalism. Star by star, sin by sin, we have allowed the famous and the rich and the artistic to abide by a different set of rules, a different mode of morality. [emphasis added] The gospel of celebrity was invoked when Mel Gibson, after hitting his girlfriend and calling her a “pig in heat,” returned to filmmaking—and was rewarded with an Oscar nomination. The gospel was invoked when it was announced that the guy who insisted that “Jews are responsible for all the wars in the world” would be playing a wacky role in Daddy’s Home 2. It was invoked when Bill O’Reilly left the Fox News Channel with a parachute amounting to the tens of millions, and when Roger Ailes left with one amounting to $60 million, and when actors clamor to be featured in the next Woody Allen film, and when the world delights at Bill Clinton playing with balloons, and when Bill Cosby walks free. It is there when Donald Trump brags about being able to do anything, and then proves it by winning the White House.
We Americans are good at many things, but one of our most finely honed skills is our ability to be surgically selective in our vision and our outrage. Double standards drip among the stars in our synthetic firmament. The American flag is sacred, unless it isn’t. Drug addiction is a menace deserving of consternation, unless it’s a crisis deserving of compassion. Celebrities are just like us, unless they’re not. They have been elevated by the brute physics of fame. They have done whatever they have wanted. We have helped them. [emphasis added]
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And this week, the stars that remain, in Hollywood and beyond, have been flooding the world with their public condemnations of Harvey Weinstein. That is itself suggestive of changing norms, of new assumptions, of a shift in what Americans will tolerate from their celebrities—and what they will no longer. It is at this point extraordinarily difficult to imagine a scenario in which Weinstein has not permanently plummeted from celebrity’s stratosphere. It is hard to imagine that the world, now that his “open secret” is secret no more, hasn’t been in some small way transformed. There are surely more stories to be told, and there is surely more work to be done. But fame, it seems, does not inoculate as it once did. Celebrity is no longer its own justification. When you’re a star, they let you do it. Until they don’t.
Recently I blogged about how in evangelicalism and American Christianity some men who were found unfit for ministry have, nonetheless, made their way back into ministry. There's an American religion of "grace" that says we should welcome these Christian celebrities back into pulpits because God can so mightily use these people.
My reply to that sort of assertion is to say that the kinds of celebrity Christian propagandists, who are being promoted as deserving a place behind a pulpit and a shot at "redemption" and "grace", are not shepherds in any sense that would have been traditionally understood prior to the advent of mass media entertainment in American society. We are being asked to accept this or that Christian celebrity back from having "fallen" into their real roles, that of being celebrity propagandists for a particular flavor of Christian media. It's not really about whether or not men and women who, upon careful examination and by earlier standards of Christian doctrine and praxis, would have and should have never become celebrities, would have been in formal ministry because by those lights we wouldn't know who some of these people are.
In the wake of the demise of Mars Hill Church in Washington state the temptation has no doubt been great for people to say this or that set of people was the reason for the downfall. Some of Justin Dean's interviews since the Mark Driscoll resignation have seemed to suggest that Mars Hill was not prepared to do battle with the full fury of liberal secular media. Now liberal secular media in Seattle would probably love to take credit for having "taken out" Mark Driscoll but that was never the case. If anything the public contrasts between men like Dan Savage and Mark Driscoll was synergistically beneficial to both celebrities. Giving a secular press credit for having damaged the reputation of Mark Driscoll plays into the myth of the enemy liberal secular media. It's a myth that American evangelicals need to dispense with in the case of Mark Driscoll because the journalistic document of the fall of Mark Driscoll and Mars Hill shows us otherwise. It's not like WORLD magazine is full of devotees of the Frankfurt school or that Janet Mefferd is on the same page as Dan Savage. The way Driscoll conducted himself behind the closed doors of leadership cultures came to light because fairly conventionally conservative Christian publications shed light on what Driscoll and Mars Hill's leadership culture had done.
The most trenchant preserved criticisms of Mark Driscoll were not just from secularists, feminists and political liberals (though they had important contributions to make to the public discourse). There were equally significant criticisms of Mark Driscoll from within the Reformed scene in American Christianity. Nobody could really claim that Janet Mefferd or Carl Trueman are particularly liberal about much of anything. Mark Driscoll's plagiarism scandal was not launched in an interview on The View but a conversation with Janet Mefferd. Rachel Held Evans never documented the evidence that Mark Driscoll had not adequately cited sources that he and Grace Driscoll were provably influenced by in Real Marriage.
If in American evangelicalism a megachurch pastor can publish a marriage book in which he plainly states he concluded the cure for his moodiness and depression was getting more sex from his wife there's no place for American evangelicals to act as if now is the time to take aim at rock stars or athletes or film-makers and this is not simply just because evangelicalism itself may be rife with a rotten underbelly of sexual abuse and exploitation.
It would also be because when so much of what the American idea of powerful evangelism is consists simply in celebrity conversion, getting one of those celebrities from athletics or music or film or politics or academia on board the Christian celebrity wagon. Let's just be deliberately mean about this and propose it's a vaguely pseudo-Kuyperian gambit in which Anglo-American evangelicals hope that by landing the right sort of celebrity convert from some other field (maybe a C. S. Lewis or appropriating some other actually influential Christian of some never-actually-American-evangelical-type into the American-evangelical cause (Bonhoeffer, for instance)) a new and powerful agent of cultural change can be enlisted to make society look more legitimately Christian, at least in the way that a certain strata of American Christians conceive of Christianity.
This isn't merely some strictly "red state" thing, it's not just a Mark Driscoll, it's also a Rachel Held Evans. It's not just a Pat Robertson, it can also be a Tony Jones or a Tony Campolo. The actual platform is less significant than the medium of presentation, the Christian celebrity. It's not so much that conservative/evangelical Americans are special about this flaw compared to others, they may just have a cultural milieu that is more loathe to admit that this is a goal than other groups. Hollywood may be a land of vice but they have absolutely no qualms about using celebrity to stump for social and political causes. Just because American Christianity across some red-blue divide has more of a bad conscious (if that's even true) about resorting to this set of idols rather than preaching Christ could simply mean that they have a bad conscience of some sort about where they think the real power of their message comes from--it's supposed to be all about Jesus but people need to see the celebrity. It's not like I never thought about this being the damning reality underneath the "all about Jesus" bromides at Mars Hill over the years. If it is all about Jesus then the celebrities can vanish.
But as we see how different the rules are by which celebrities are measured compared to the rank and file perhaps we should step back and remind ourselves that these men and women are just mortal men and women, not gods and goddesses. There really is no reason they should be able to get away with doing the kinds of things that should get people fired or arrested for gross misconduct and criminal activity. But perhaps what's creepiest about these cults of celebrity is that they will endure because rather than confront the cruelties and double standards of these celebrity cults it will be safer to displace the vices of "our" preferred cult onto the "their" cult.
Or ... here's a late-night thought for the weekend, what if one of the stranger things about the cult of celebrity could be that celebrity is imbued with a desire to go easy on fellow celebrities at the lower rungs?
How different can these rules by for the Christian celebrity compared to your frustrating Facebook friend or Twitter contact or people making vitriolic comments on a Youtube video? Well ... let's go back and revisit some things Jonathan Merritt wrote in 2014 about Mark Driscoll.
http://religionnews.com/2014/08/04/accept-mark-driscolls-apology/
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This means that there must be grace for the abused and the abuser, for the oppressed and the oppressor, for Mark Driscoll and for all those he has hurt. If we Christians have now arrived at a point where grace has run dry or is only available to some, let us abandon this whole Jesus way and join those who have no hope.
I’m a tough critic–perhaps too tough on occasion. But this situation has reminded me that the Christian community must be as generous with the salve of forgiveness as we are with the acid of criticism. If we can learn this, we will take a step closer to walking as Jesus did. And maybe then we can, with the dearly departed Brennan Manning, dare to whisper the ragamuffin’s rumor:
ALL. IS. GRACE.
http://religionnews.com/2014/08/24/mark-driscoll-resign-mars-hill-christians-celebrate/
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There is no doubt that Driscoll should have stepped down–and for a lot longer than six measly weeks, if you ask me. I say this not because I believe in the myth of the perfect preacher who resides in an ivory tower and lives more righteously than others. But rather, because his patterns of behavior seem to illustrate instability of his emotional state and have resulted in the harm of others. I hope he receives help from a professional. (I know firsthand the difference that counseling can make.)
So in the wake of this news, I find myself relieved but not gleeful. I’m relieved the spiritual abuse is beginning to end. I’m relieved that I won’t have to wake to another one of Mark’s hurtful comments trickling down my twitterfeed. I’m relieved that I won’t have to tell another non-Christian friend, “He doesn’t speak for most of us.” I’m relieved, even as I grieve that the story did not have a happier ending.
Yes, I am relieved but I cannot rejoice. For when we celebrate the demise of another, we wake to realize we are also celebrating our own.
Driscoll's resignation would be announced later in 2014 in October.
When we celebrate the demise of another we wake to realize we are also celebrating our own? Seriously? Did Deborah and Barak celebrate their own demise when singing the song that ended up in Judges 5 where they sang the praises of Jael for killing Sisera with a tent peg? What about "I will sing unto the Lord ... "celebrating how Yahweh destroyed the Egyptians? Celebrating the demise of the wicked is so commonplace in the Old Testament it's impossible to see how Merritt could have written his pious bromides about Mark Driscoll with any seriousness if what he was working from was anything in the Bible.
But ... in a way ... it makes sense if the measure is not of something in the Christian Bible or the Jewish Torah but is, instead, a bromide from within the confines of an American Christian celebrity culture.
These pieces by Merritt were confounding back in 2014 because it seemed he had no clear idea how deep-seated the problems in the leadership culture of Mars Hill really were. What on earth was Merritt's idea of a "happier ending" for Mark Driscoll and Mars Hill? It was hard to shake the sensation that Merritt was pulling punches not because he ever agreed with Driscoll on much of anything but because there might be, to put it in terms informed by Megan Garber's recent piece, some kind of Christian celebrity code. Don't rip on a guy too much or he might bounce back a bigger celebrity than before.
Still, longtime readers of the blog know I published "Pussified Nation" because I believed it was necessary to preserve for public record what Mark Driscoll wrote as William Wallace II. And, of course, for folks who might want to read or read about Jacques Ellul, I used Ellul's writings on propaganda as a way to explicate the combination of "Pussified Nation" with Dead Men as a pivotal moment in the history of Mars Hill. Perhaps it would be best to summarily say that I found it hard to take Merritt seriously when he said we should accept Mark Driscoll's apology. A man like King Saul can be apologetic about the results of acts that he would keep on doing. That was how it seemed Mark Driscoll was handling things in 2014 and his resignation confirmed rather than disproved this interpretation of how he was dealing with the controversies that surrounded his speech and conduct.
But a question has lingered since the year of Driscoll's resignation and the recent firestorm of coverage related to Harvey Weinstein has brought the question back into my thoughts--if a guy like Mark Driscoll had not been a Christian celebrity to begin with would it have taken so long to have reprimanded him to the point where he decided to resign rather than stay submitted to the eldership he claimed to submit to?