Wednesday, January 11, 2023

Toru Takemitsu "Toward the Sea" for alto flute and guitar (video w score)


This is pretty much the greatest work for alto flute and guitar any composer has ever written as far as I'm concerned.  The balance seems a bit wonky in the audio but you can read along with the score. 

I was introduced to Takemitsu's music by a friend of mine in college who was from Japan and said that he was a national treasure, to be sure, but she thought some of his music was actually pretty weird but she wanted to know what I thought of his work.  I fell in love with this piece.  I later realized I had heard the astonishing "All in Twilight" a few years earlier and, well, I've been a fan of Takemitsu's music for guitar for pretty much my whole adult life.

It's probably easier to hear the influence of Messiaen in this piece than George Russell. ;)


German Dzhaparidze - Fugue No. 18 in G sharp minor from 24 Preludes and Fugues for solo guitar (video w score)


If you didn't order the physical two-disc set you really missed out because while the 2019 remastered version sounds pretty good a few of the preludes and fugues are missing in the digital only/streaming version.  I've been meaning to blog about and through this cycle for years but IRL events of the last few years, of which covid 19 was actually not an important variable, stymied any number of my blogging ambitions.

Still, I'm glad Esteban has been posting videos with excerpts from this mighty worthy cycle.  I still hope a publisher will champion Dzhaparidze's 24 Preludes and Fugues for solo guitar, just as I still hope the second half of Koshkin's cycle of preludes and fugues can get recorded.  Meanwhile, although I've got no analysis to provide I can share a link so you can hear the G sharp minor fugue. 

at the Acton Institute, Darryl Hart expresses some skepticism about the coherence and viability of contemporary Christian Nationalism and the credulity with which contemporary academics appraise it

 If you know who D. G. Hart is then this link falls into the "no surprise at all" idiom.

I actually have his book A Secular Faith in my reading backlog, though, and have actually enjoyed some of his books over the years.  His observation that conservatives should've realized the Reagan coalition of anti-communist hawks, libertarians and social conservatives that barely held together during The Gipper's two terms unraveled as soon as Bush Sr. got to the Oval Office seemed like a reasonable assessment.  

Having read some of Martin Marty's work over the last couple of decades, yeah, Hart kind of has a point that Marty was more even-keeled than some newer scholars in seeing that Christian nationalist impulses across the spectrum have always been a mixed bag.  

Then again, had John Neville Figgis' warning about the prominence of the UK having become both a secular state and a pluralist state by 1911 gotten more traction among some Christian scholars ... Christians might not have the same level of panic about "taking back America" these days in some circles as some secularists have about the not entirely surprising persistence of American civic religious impulses in red state regions leaning on Christian tropes.

Walter McDougall's schematic of promised land/crusader state seemed on point highlighting how "everyone" in the U. S. takes the crusader state paradigm for granted since roughly Woodrow Wilson.  The fights seem to be less over whether the United States ought to be a crusader state than what crusade the crusader state should be fighting.

But obviously I've digressed. 

Tuesday, January 10, 2023

Jonas Tamulionis - "Numerations" Lithuanian Music Academy Chamber Choir


I heard the chamber choir perform this live back in my college days in the early 1990s and it was a jaw-dropping performance, as was pretty much everything else they sang. I think this was the first work by Jonas Tamulionis I ever heard and the album is accessible on Spotify, Amazon and elsewhere as From East to West: Music from Ukraine to Uruguay.

One of my Croatian friends knew of the ensemble and helped make arrangements, if I recall correctly, for the ensemble to come perform at our college.

So my affection for Baltic and Balkan music goes back decades thanks to some formative friendships I made in my twenties.  It took me a while to find out where this track might be on Youtube and streaming services because, despite the 2011 issue date, the recorded performances go back all the way to the 1990s if you got the cassette tapes. 


Sunday, January 08, 2023

Steven Watson "Homage to Takemitsu" for solo guitar

a lovely homage to Toru Takemitsu written for solo guitar by Steven Watson

There are some beautiful passages where Steven plays hammer-on notes with the left hand and then uses his right hand to pluck the string behind the left hand finger at the moment the hammer-on takes place, getting F natural on the fifth string and E natural a major seventh above at the same time.  Now if you ask why on earth a guitarist would do that since E natural is available on the open first string, the answer is timbre.  The timbre is much different.  I've written a piece or two that call for behind-the-left-hand string plucking and it sounds delicate and wispy, a timbrel effect you'll never get with getting the same pitched note on an open string.  

It's a lovely work.  I happen to be a fan of Toru Takemitsu's music for guitar so I'm happy to give a link to an homage to the composer. 

POSTSCRIPT: 

Steven Watson did some guest posts at The Music Salon on Takemitsu 

Miscelanea Guitar Quartet performs "Broken dance" by Ourkouzounov (video w score)

some links for the weekend with a belated theme on a book published by Canon Press

Because I live in the Pacific Northwest and because this book has sparked discussion and coverage I’m belatedly getting around to Stephen Wolfe’s book published by Canon Press.

on The Rise and Fall of Mars Hill podcast finally being over


After dozens of sprawling and frustrating hours the thing finally ended.