Saturday, May 30, 2020

notes on Ep 8 of Older Pastor/Younger Pastor--Sutton Turner confirms that Mark Driscoll has blocked him across social media and won't talk to him in any capacity, and some other things

I thought it was going to be a seven episode run but there are eight episodes.
https://amicalled.com/pastoral-lessons-from-mars-hill-church-e8-lessons-on-recovering-after-crisis/
What is more, Sutton Turner has published the transcript of episode 8
https://investyourgifts.com/recovering-after-crisis/
Ah, thanks!  That sure beats Wenatchee The Hatchet having to spend a uncounted hours transcribing things like Mark Driscoll's 2008 spiritual warfare series before being able to do any analysis of it!

Excerpts from and thoughts/notes on Episode 8 are below:

Thursday, May 28, 2020

notes on the Older Pastor/Younger Pastor series with Ryan Williams, Dave Bruskas and Sutton Turner on lessons from Mars Hill--UPDATE: quotes from transcripts

So the seven-part series has recently, if it goes to seven parts, wrapped up.  As Sutton Turner has commented and fielded questions here at Wenatchee The Hatchet he would probably not be too surprised that Wenatchee The Hatchet has taken the five hours needed to listen to all seven episodes, and likely Bruskas and Ryan Williams would not be surprised at this post either.  Nobody who knows the history of this blog as a chronicle of the life and death of Mars Hill would be. So ... some notes ...


Monday, May 25, 2020

the diatonic modes as inversions of each other, a little riff on George Rochberg's proposal that Western music has had cycles of favoring symmetrical and assymetrical paradigms for pitch organization in the last thousand years

It might be because I've been reading George Rochberg's A Dance of Polar Opposites this year, but I've been struck by a passage near the end where he wrote:

Alan Jacobs on Misunderstanding Critical Theory

Having spent half a decade swimming in Adorno's work to come to a sense of his approach to music, the sociology of music and how that has been relevant to Anglo-American musicology and music history; and having seen how conservatives by and large seem to make a complete and utter hash of defining or discussing critical theory (more or less it starts and stops at "so it's communism"), I'm not surprised Alan Jacobs recently felt obliged to explain that a lot of what conservatives define as "critical theory" has nearly nothing directly (if at all) with the Frankfurt school

https://blog.ayjay.org/on-misunderstanding-critical-theory/

Sunday, May 24, 2020

remembering an old poem I wrote, riffing on a specific American "rebel" mentality, during a time of lockdown

Ecclesiastes 9:4-5 Common English Bible (CEB)
4 Whoever is among the living can be certain about this. A living dog is definitely better off than a dead lion, 5 because the living know that they will die. But the dead know nothing at all. There is no more reward for them; even the memory of them is lost.

https://wenatcheethehatchet.blogspot.com/2018/08/the-action-hero-breaks-fourth-wall.html

the action hero breaks the fourth wall

it is far better
to be a dying lion
than a living dog