Friday, January 14, 2022

RIP Terry Teachout and Angelo Gilardino

Terry Teachout has died. He died this Thursday.
 I enjoyed reading Teachout's "About Last Night" blog for years and also appreciate his biography of Duke Ellington.  I learned of it through Ethan Iverson's interview and read Teachout's response noting that he appreciated that Iverson gave him some pushback on things he did say and not things he didn't. Let the reader understand.  

Also this week Angelo Gilardino, the great Italian guitarist composer, has died.


I might not be posting a ton at the blog for a while. The world of classical guitar has been immensely enriched by Gilardino's life and work and I'll have to write more about some of his work later this year but at the moment I think I might take a bit of a hiatus to collect my thoughts (and take a break from posting, for that matter). 

UPDATE 1-16-2022
some thoughts from Ted Gioia and Ethan Iverson (and Heather Sessler) about Terry Teachout.

It's worth mentioning, if only briefly, that Angelo Gilardino worked to further the music of Mario Castelnuovo-Tedesco, whose music for the guitar was conservative and "Hollywood" but in the best possible sense of the term, glowing sounds and actual tunes (I need to get around to blogging more about his work at some point, too, really).

Here's a sampling of some of Gilardino's work

It would be too much to blog through the sixty studies!  I plan to blog through is five magnificent solo guitar sonatas later this year.  There needs to be more English-language writing about this titan of the classical guitar. 

Thursday, January 13, 2022

Heinrich Albert, Sonata No. 1, movement 1 analysis: having a monotonal exposition that repeats, a development section, and no recapitulation

I have meant to get around to discussing Heinrich Albert's Sonata No. 1 in E minor for a while now. I noticed that back when I posted a link to a performance with score earlier at this blog that the score had some quirks.  There were repeat signs interpolated into the exposition that gave an inaccurate impression of the structure of the piece.  So I wanted to come back to this sonata again not just to provide a more detailed analysis (if not a sprawling discussion), but also because, since I have the score on me somewhere, to highlight a performance that observes the structural repeats in the published score that weren't observed in the video I linked to last time I mentioned this sonata.

So, here we go.

Sutton Turner posts notes from the 2014 elder investigation of formal charges against Mark Driscoll, discusses his discussions with Cosper, and mentions conversation with Throckmorton in January 2022 posts

If you listened to Cosper's The Rise and Fall of Mars Hill there wasn't much new in the January 7, 2022 post.  
Or at least, for me, there wasn't much new but then, you know, I have chronicled a lot of stuff about the former Mars Hill over the years.

But this post ... there's a lot of material to it, notes from the investigation of 2014.