Saturday, December 16, 2023

John Borstlap's new book coming in 2024

Longtime readers know I have disagreed with Borstlap on a variety of topics over the years.  Nevertheless, I plan to read his forthcoming book and whether or not I agree with anything he says in it, congratulations on the new book. :) I read (and genuinely liked) Philip Ewell's book On Music Theory even though I disagree with a few things he said in that book.  I am looking forward to reading Borstlap's forthcoming book in 2024.

Regaining Classical Music's Relevance: Saving the Muse in a Troubled World
John Borstlap
ISBN: 1-5275-5314-0
ISBN13: 978-1-5275-5314-9
Release Date: 1st January 2024
Pages: 120
Price: £59.99

I might just have to save up my thoughts on both Ewell's book and Borstlap's book for later in 2024.  This year has been a kind of trippy year IRL. 

Thursday, December 14, 2023

Alan Jacobs has a "Hey, wait a minute" moment reading Ted Gioia

...  the various examples that Ted gives of this “deadly new lifestyle” point in varying and in some cases opposite directions. Some of these developments show people succumbing to Technopoly; others involve resistance to Technopoly. And that’s a big difference.
Remember that the self-published book Gioia has been running as a series at his Substack has a central thesis that musicology, all of it, has its real "secret" roots in sorcery.  Bryan Townsend once commented at his on blog (The Music Salon) that outside his genuine fields of expertise Gioia comes across like a writer who will torture the evidence until it gives him what he wants. 

Alan Jacobs may have not read it, but the grand dualism that fueled Gioia's book Music: A Subversive History is a glib one that assumes and presumes that the Pythagorean and Orphic traditions of music are all there is to be said about music across the world from the dawn of humanity.  Philip Ewell may have overstated the extent to which 19th century surmises among music theorists in European nations leaned on understandings of ancient Greece that were wishful thinking.  

On the other hand, in the realm of theology and theological aesthetics Philip E Stolzfus wrote an entire book pointing out that there have been fatal flaws in the Orphic and Pythagorean traditions from the beginning.  The Pythagorean speculations about music and number ratios reflecting cosmic order can't account for things like irrational numbers or quirks of the overtone series (of course Kyle Gann pointed out that the overtone series wouldn't be discovered until a century and a half after any Pythagoreans were speculating.  The Orpheus tradition is characterized by lots of blunt stereotypologies about gender and ethnic or racial authenticity on the one hand, and traffics in violent language or cults of violence on the other.  Just because Ted Gioia has more or less thrown in with Team Orpheus doesn't mean the version of Orphism he is peddling is historically plausible is probably the most diplomatic way to put it.  

I used to really enjoy reading Ted Gioia's work but these days I read him hardly at all, and it's as if any post he writes it's a coin toss whether it's going to be some version of "With horns like these you will gore the Arameans!"  Let the reader understand. 

Wednesday, December 13, 2023

Daniel Read's Sherburne on Nahum Tate's text "While Shepherds Watched Their Flocks By Night" a shape-note Christmas hymn

This is a Christmas song you have "probably" not heard but if you have heard it you'll not soon forget it.
Daniel Read wrote this a long time ago as a contribution to the North American shape-note tradition of hymnody.  It shows up often enough in recordings of shape-note hymnody.

What's tougher to find, though, is a performance of the text beyond the first verse.  For that you sometimes have to go to a more "classical" presentation of Read's work.