I have not covered all of the recordings of Rebay's solo guitar sonatas and chamber music in this list but it is a fairly thorough list in terms of trying to cover the recordings of the seven solo guitar sonatas and chamber music including the guitar. Many of the releases cluster around Brilliant Classics and Naxos, which won't surprise anyone who has kept tabs on recordings of Rebay's music. So, here we go.
Pages
- Home
- a page with an index of tagged posts discussing the history of the former Mars Hill Church
- a page with an index of posts on music and musical analysis--guitar sonatas and contrapuntal music for guitar and other musical stuff
- writings at Mbird on animation, superheroes and other things (nobody cares about Jarvis Pennyworth)
Saturday, August 05, 2023
Ariel Elijovich performing Angelo Gilardino's Sonata No. 2 "Hivern Florit"
Karl Goepfert- Sonata for Bassoon and Guitar
https://www.youtube.com/watch?v=8zlVe_d1on0
Thursday, August 03, 2023
Stevie Wonder: Too High
because the thing to do at the blog tonight is to wrap up the handful of posts with a track from Innervisions, released 50 years ago today.
whoever and whatever cecassionists are, they sure are legalistic, eh?
it's the 50th anniversary of the release of Stevie Wonder's album Innervisions a linkathon of past writings in lieu of having been able to put together something more fitting for this anniversary
Tuesday, August 01, 2023
Julie Roys had a two-part podcast discussion on the megachurch monopolies on worship music, a brief thought about the non-existence of Mars Hill Church musical culture in that discussion here in 2023
Earlier this year Julie Roys had a two-part podcast conversation on megachurches monopolizing the contemporary Christian music landscape. Not being one to listen to podcasts most of the time I was grateful for the transcripts provided at the following links earlier this year
https://julieroys.com/podcast/the-megachurch-worship-monopoly/
https://julieroys.com/podcast/the-megachurch-worship-monopoly-part-ii/
Norman Lebrecht's lament that London is no longer a musical capital
https://thecritic.co.uk/issues/august-september-2023/requiem-for-londons-music/
It is a sad truth,
widely acknowledged, that London is no longer a music capital. World orchestras
that passed through once or twice a year no longer stop over. Headline artists
save their signature concerts for Paris and Berlin. New music has dried up. There
hasn’t been a premiere of world consequence since before Covid. London is
falling off the music map.
Various reasons and
excuses are attached to this decline, among them Brexit, Covid, the Ukraine
war, economic woes and a government that is plundering funds from the capital
and spreading it around the regions, going out of its way to penalise London
orchestras while smiling upon pointless little minority start-ups that are
barely above kindergarten level.
These are all
contributory causes but the cumulation of factors does not begin to describe
the loss of national purpose and fundamental incompetence that has relegated
music in London to an all-time low. The economy has nothing to do with it.
London achieved its
musical status in the 1930s, during the Great Depression, adding two new
symphony orchestras and drawing a surprised endorsement from Arturo Toscanini
that they ranked among the best. Today, star maestros shun London and one of
its symphony orchestras came within a matter of days of being abolished.
...