Saturday, December 18, 2021

Ethan Hein discusses David Bowie's "Starman", some thoughts on how great an example the song is of being firmly in one key yet consistently building opening phrases on IV and IV alternative chords

I couldn't not write about this song since Ethan has blogged about it.  I will try to resist the general temptation to write about patterns of modal mutation in Bowie songs and start with an observation that is apt to slip up many a theory analysis that has been predicated on a century or so of being steeped in instrumental music.

Rule #1: when you're analyzing a song never simply assume the first chord that shows up in a song is actually the root chord of the tonal system the song is written in.  

Does the song start on B flat? Yes, and a lovely B flat chord it is. It moves to F.  As I know Ethan knows in groove-based harmonies a chord could be a I or a IV depending on context so it's possible for B flat to be the "start" chord but for F to be the resolution chord.  

In this case decades of Bowie performing the song love and consistently ending the last chorus on F tells us that the song is in the key of F.  So it's absolutely in F major.

Tokyo, 1990
Glastonbury 2000
Australia, 2004

But even if we settle that the song is in F major why did Bowie so rarely affirm F as the "home" chord or tonic?  As a matter of fact the C7 to F progressions are plain as can be but the genius of the song is that Bowie does two very simple things to warp our sense of the harmonic stability of the song. 

Douglas Shadle reviews Joseph Horowitz' Dvorak's Prophecy and ... read Shadle's book instead


I've wanted to write about the books of Douglas Shadle and Joseph Horowitz on Dvorak's legacy regarding the definition of American music this year but, as longtime readers no doubt know, Christianity Today dropped a sprawling podcast and I felt intellectually obliged to keep my focus on the late Mars Hill since I was there from about late 1998 through 2008 and played a role in chronicling its demise.

The former's book is worth reading and the latter's, well, it's a frustrating read and Shadle has recently written a necessarily cutting review of the book. 

apropos of nothing a few brief animated film recommendations--Batman vs Two-Face (Adam West AND Bill Shatner as the leads); Persepolis; The Long Way North

 first and foremost, if you haven't seen the late Adam West's reprise of his iconic role in Batman vs Two-Face go watch it.  It won't be for those who don't enjoy Adam West Batman but if you do enjoy his version of Batman and you haven't seen it then you have to go watch this!

I admit I saw the cast of Adam West, Burt Ward, Julie Newmar and ... William Shatner as Harvey Dent!?  Sold! The animated film is like some zany photo negative of Christopher Nolan's The Dark Knight. Now I still dig The Dark Knight but I just as much dig Batman vs Two-Face. I've just liked Batman much of my life. I'm going to go see the new film when it comes out and I'm stoked that Jeffrey Wright is playing Jim Gordon.  I'm not going to do what I usually do and spoil the entire plot and themes.  Nah, I'm just going to recommend a cute animated film that I think was a perfect final curtain for Adam West as Batman (it was the last project he worked on and the film is, of course, dedicated to his memory). The only way Batman vs Two-Face could have been more joyous is if Shatner had sung a song.  It also, since I'm kind of a fan of Two-Face, rectifies the long-standing absence of one of the Caped Crusaders more formidable foes and brings him into the Adam West Batman world in a way that is suitably goofy yet of a piece with that Gotham (and it includes Dr. Strange, someone else who's really a classic old-school Batman foe who I don't recall showing up in the old TV series).So that's my first and foremost recommendation for an animated film this holiday season.  If you liked Adam West Batman you're practically obligated to go see this one. 

Now if you want to venture into French animated films (and you should) I recommend a couple of older films from the last decade-ish.  Persepolis, an animated film based on the graphic novel by Marjane Satrapi, is worth your time. The story is about a girl who comes of age in Tehran during the Iranian revolution when the Shah is deposed and how she ends up in Europe and misadventures and adversities she encounters. I strongly urge you to watch it in the original French with subtitles, although if you're a hard-core Iggy Pop fan he lends his voice to the English dub. 

Another French language film I picked up a few years ago is The Long Way North, but it's actually about a Russian girl who is searching for the remains of her presumed dead grandfather, an explorer who was looking to be first to get to the North Pole.  This, too, is a coming of age story but the heroine's goal is not so much an American "girl power" theme as to search for her grandfather both to recover his body if he has died and to restore the honor of her family name, which has fallen into disrepute since her grandfather's ill-fated quest. My brother told me that the French-Russian production looked interesting and so I picked it up. The English language dub is alright but the original French is more fun.  When we watched it my brother pointed out that part of the fun of the film is that although the characters are Russian the Russian aristocrats of the story's setting would have been conversant in French so the on-paper linguistic disconnect isn't far-fetched for the time period of the story.

I prefer subtitled films because generally there are nuances and extravagances in voice acting traditions within a language that can't be replicated effectively in dubs.  For instance, I have often encountered aggravating English language dubs from anime that got releases in the 1990s.  Ghost in the Shell had one of the most atrocious English language dubs of any I can recall. Conversely, I suppose, it might be a huge challenge for a non-English voice-acting cast to even approximate the ensemble work of, say, Kim Possible (I love the show and it's a great example of a spectacular voice cast which also included a role for the late great Ricardo Montalban ... you might be noticing a Trek theme here. ; ) ).

So, anyway, I haven't blogged about animation or animated films or shows in a while and so I wanted to  mention a few films I'd meant to blog about earlier.  

Thursday, December 16, 2021

Mark Driscoll on how worship is adoration & action and how God is a worshipper. Of what? That question got left dangling

https://twitter.com/PastorMark/status/1471126658572767238

If you wanted to know what worship is, it mainly can be summed up in two things – adoration and action. Declaring God and doing good.

6:35 AM · Dec 15, 2021
 
And thus Driscoll links to the following daily devotional we'll read in a moment. Back in the day this is the kind of thing we might have found in the old Wittenberg Door magazine under the heading "Things We Wish We Made Up":

Wednesday, December 15, 2021

Norman Lebrecht reports that Prof. Jackson has cleared Heinrich Schenker of Philip Ewell's charge of racism?

Now it may be as a guitarist who loves music by Haydn, Bach, Shostakovich, Stevie Wonder, Scott Joplin, Thelonious Monk, and Duke Ellington (among others) I ultimately can't be sure I care about these kinds of battles but when even legendary conservatives like Roger Scruton have wondered aloud for the record why people bother with Schenkerian analysis it's striking in 2021 to see that what Ewell started discussing awhile back has come up again.

I finished John McWhorter's Woke Racism and will probably have some stuff to write about it, eventually, but I'm glad he was smart enough to steer clear of this music theory controversy with some help from his commenters at his Substack. 

I'm incubating some posts on preludes and fugues written for guitar but those posts will take some time.

There's also some unfinished posting on another more recent set of topics I might inevitably have to write through first.  Cosper has, to my befuddlement, said there's more bonus episodes. Episode 12 wasn't the end?  Anyway, so it goes. 

the trajectory of want (in Christmas novelty songs)--a haiku

ends in needing the deed to

No, there was absolutely no way I was going to link to any other version than Eartha's. It's glorious and all the other fools who ever sang the song should hide their faces in shame!

I mean, I mentioned I was gonna get things back to music but several posts aren't ready but this little haiku about Christmas novelty songs was ready so ...