One of the first posts I ever published at Wenatchee The Hatchet was to mention the Lithuanian composer Jonas Tamulionis. Back in college I encountered some of his choral music and liked it and only later discovered he wrote music for the guitar. The internet being what it is there is now a Youtube video of a performance of 11 Preludes by Tamulionis, performed by Esther Poli on the CD I mentioned way back in 2006.
Seek out the Corona Guitar Kvartet's Tamulionis recording
or also
For people whose exposure to choral and guitar music is only Western or Western European the fact that Balkan and Baltic music can, in some settings, land so swiftly and easily on "unresolved" major and minor sevenths and seconds might sound unappealing. I'm not one of those people. I had a couple of friends from Croatia in my college days and so got some exposure to central and eastern European musical folk traditions back in my 20s and I found myself drawn to Hungarian, Bulgarian, Lithuanian, Polish and Russian musical traditions in classical music. Only much later did I discover work done by Ida Halpern in musicology and field recordings and discover that quinituple and septuple meters show up in Native American musics of the Pacific Northwest, along with microtonal elements.
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