Friday, April 12, 2013

More from JS Bangs' A Writer's Lent
... Why do so many writers go ballistic when they get rejected? Why do writers occasionally lash out against critics? Why do the self-published writers condemn the traditional publishers for cowardice? Why do the traditionally published folks condemn the self-published for unprofessionalism? I’m not talking here about legitimate criticisms or disagreement, I’m talking about the over-the-top nutty-butter insane things that litter the inboxes of agents and editors and spill out on the internet with depressing regularity. I propose that what’s going wrong with these people is the lust for power. These are writers who believe that they deserve success for having published good books before, or having gotten an MFA, or merely having completed a story. So when anyone, whether it be a publisher or an editor or a reader, comes along and refuses to give them what they deserve, they simply lose it.
... When I speak this way, I have to quickly disavow two common misconceptions. The first is the notion that stories must have a Message. This is a terrible mistake. Stories which are deliberately written with a Message tend to be terrible, and even when they’re good they often succeed in spite of their Message, and not because of it. The writer has a responsibility to avoid vain, empty talk, but she does not have any duty to give a sermon. On the contrary, sermonizing usually undermines the writer’s real efforts.

The other misconception is to think that writing must be Serious, and must absolutely not be Fun. After all, if writing is a serious business, then surely we have to write about serious things. But come on: I’m a genre writer, so I will take a story about dragons and spaceships and explosions over a self-serious, “literary” work any day. Let us banish all shame in writing a pulpy adventure story or a steamy romance. However, we must recognize that even the most gonzo space opera contains within it a vision of goodness. You have a hero: what are his heroic qualities, and what will your readers learn to imitate from him? Or maybe you have merely a collection of antiheroes: what does this choice say about the world?

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