For people who remember this
I'm plotting a sequel that discusses the use of sonata allegro form by Ferdinando Carulli and Wenzeslaus Matiegka later this year. What I wrote back in 2011 was a very swift overview of a topic that can clearly be discussed at vastly greater length, like this.
We're not going to get nearly so detailed as Bampenyou's dissertation which is, after all, a treatise on performance considerations.
But more listening and analysis will need to happen. Meanwhile, if you're interested in reading a big dissertation on performance considerations in the multi-movement sonatas of Sor and Giliuani, have fun with the linked dissertation above. :)